:: Vintage handmade African lion dog sculpture. Circa mid 20th century, each figure in this collection represents a different variation of protection and spirit used inside and outside of the local homes. These are beautiful collectibles that you or someone you love will cherish forever. As this item is in vintage condition, it may show signs of age and use. Size measures: 3.5″ x 11″ x 6″.

Elevate your space with a masterpiece: victor vasarely’s “marc cf” screen print.

experience the iconic artistry of victor vasarely with “marc cf,” a stunning 1970’s screen print that encapsulates the essence of op art. This limited-edition piece, numbered cxviii / cxc, 118 / 190, is a true collector’s gem. The art work has been signed in the lower right corner. Vasarely’s signature is legible but has faded over the years.
victor vasarely, a pioneer of the op art movement, was renowned for his mind-bending optical illusions and geometric precision. “marc cf” is a testament to his mastery of the genre, where art and science collide.
while time may have left its mark, our “marc cf” screen print has been meticulously and professionally restored by an artisan specialized in paper print restoration. Any minor flaws are now history, allowing you to enjoy vasarely’s work in all its original glory.
“marc cf” is a burst of vibrant colors and geometric patterns that draw you into a hypnotic world of visual intrigue. This is not just art; it’s an experience that transcends time and space.
with its original numbering cxviii / cxc (118 / 190), this screen print bears the mark of authenticity. It’s a limited-edition piece, making it a coveted addition to any art collection.
elevate your living space, office, or gallery with the enigmatic allure of “marc cf.” it’s not just art; it’s a conversation starter, a symbol of sophistication, and a journey into the mind of a true art visionary.
“marc cf” is more than a print; it’s a piece of art history. Acquire this masterpiece, restored to perfection, and become part of vasarely’s legacy.
this piece has an attribution mark,
i am sure that it is completely authentic and take full responsibility for any authenticity
issues arising from misattribution

Giorgio de Chirico

Ancient Knights and Villa, 1954
Original lithography in 3 colors
No. 24/125
numbered at the bottom left, signed in pencil in the lower right.
Publisher: Bestetti (Milan 1906 – 1987)
Publication:
“Giorgio De Chirico. Catalog of the Gruphics Opera 1921-1969” edited by Antonio Vastano, Bologna, ed. Bora, 1996, page 217 n. 143

We are at the complete disposal for any information and/or requests for images and details

We are at your full disparement for any information and/or requests for images and details. This piece has an attribution mark,
I am sure that it is completely authentic and take full responsibility for any authenticity
issues arising from misattribution

Giorgio de chirico
the warriors returning from troy (1966)
lithography in 4 colors,
signed in the slab at the bottom right: g. De chirico, signed in pencil in the margin on the bottom right: g. De chirico, number below left: e.g. 60/99 tav. Vi.

bibliography
alfonso ciranna, giorgio de chirico, catalog of graphic works (engravings and lithographs) 1921-1969, a. Ciranna ed. Milan – ed. La medusa, rome, 1969, p. 156, n. 137;
antonio vastano, giorgio de chirico. Catalog of the graphical opera 1921-1969, edizioni bora, bologna, 1996, pp. 223, 235, n. 152.

the work is part of a suite of six lithographs, carlo bestetti edition, rome, 1966, printers igino alessandrini and roberto bulla, rome.
edition in 99 color specimens on hand card numbered from 1/99 to 99/99; 4 specimens on japon paper numbered by i/iv to iv/iv; 15 out of commerce specimens numbered by i/xv to xv/xv; 7 ad personam specimens for the artist, the publisher and the printers; some tests of artist in black; some hand -colored specimens by the artist.

we are at the complete disposal for any information and/or requests for images and details

we are at your full disparement for any information and/or requests for images and details. This piece has an attribution mark,
i am sure that it is completely authentic and take full responsibility for any authenticity
issues arising from misattribution

Interior – Signed limited edition archival pigment print, Edition of 5 Signed + numbered by artist with certificate of authenticity , unframed This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper). Albert Giralt’s work “Duarja” could be included within the so-called “pictorialist” photography, but that could define it only on the surface,since deep down, the search for a poetic meaning in the objects, the landscapeor in the mystery of looks, transcends pure representation, a non-narrative representation that condenses time and reduces it to an instant. Albert Giralt rediscovers the beauty of the obsolete, the forgotten, the subtle nesting by decadent, redefining what he has previously grasped guided by intuition, in a reading that isolates the motives, focuses them and provides them with an aura of intimacy, a second epidermis that adds to the one provided by oblivion. His frames reveal a world that, because it is right there, next to it, is invisible due to its own condition of proximity. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity

issues arising from misattribution

Signed and dated framed oil on canvas of autumn trees and light. Artist name: signed (unidentified at present) approx date: 1939 frame size: h 86 cm x w 101 cm canvas size: h 65 cm x w 82 cm medium: oil on canvas this piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity

issues arising from misattribution

Born in Porqueres, a small village in Catalonia, Llorens has lived by the lake Banyoles his entire life. Inspired by this unique body of water, Llorens’ photographs describe a unique relationship to a stunning natural phenomenon. Capturing the limpid liquid forms of water, the skeletal outlines of autumnal trees, and glowing lights in the woodland, his real subject is the inner psyche, creating intimate and abstract self-portraits born of the inspiration that Lake of Banyoles provides. Llorens describes this body of work as a series of moments dedicated to listening to the heartbeats of nature around him. As he photographs the natural landscape, simultaneously tumultuous and placid, so he places a mirror against his own emotional landscape. Deep Inside III portfolio was selected during the Barcelona International Photography Awards, in 2019. Most recently Llorens’ work was exhibited at the LensCulture group show at 2023 Photo London; prior to which he exhibited as a solo artist at the Fundació Valvi in Girona, Spain, in 2022, and at the Festival Mirades, in Torroella de Montgrí, in 2021. He received 3rd place at the LensCulture Black & White Awards, in 2022. Deep Inside III #3 is a Giclée Print on Cotton Paper (Hahnemuhle Photo Rag 308g) print available in this size in an edition of 10 + 2 Artist Proofs. Please bear in mind that all prints are produced to order and lead times are expected between 15-20 days. This piece has an attribution mark,
I am sure that it is completely authentic and take full responsibility for any authenticity
issues arising from misattribution

Born in Porqueres, a small village in Catalonia, Llorens has lived by the lake his entire life. Inspired by this unique body of water, Llorens’ photographs describe a unique relationship to a stunning natural phenomenon. Llorens describes his body of work as a series of moments dedicated to listening to the heartbeats of nature around him. As he photographs the natural landscape, simultaneously tumultuous and placid, so he places a mirror against his own emotional landscape. Deep Inside III portfolio was selected during the Barcelona International Photography Awards, in 2019. Most recently Llorens’ work was exhibited at the LensCulture group show at 2023 Photo London; prior to which he exhibited as a solo artist at the Fundació Valvi in Girona, Spain, in 2022, and at the Festival Mirades, in Torroella de Montgrí, in 2021. He received 3rd place at the LensCulture Black & White Awards, in 2022. Deep Inside III #2 is a Giclée Print on Cotton Paper available in this size in an edition of 10 + 2 Artist Proofs. Please bear in mind that all prints are produced to order and lead times are expected between 15-20 days. This piece has an attribution mark,
I am sure that it is completely authentic and take full responsibility for any authenticity
issues arising from misattribution

Brigitte Anne-Marie Bardot, born 28 September 1934, often referred to by her initials B.B. is a French animal rights activist and former actress, singer, and model. Famous for portraying sexually emancipated characters, often with hedonistic lifestyles, she was one of the best known sex symbols of the 1950s-1970s. Although she withdrew from the entertainment industry in 1973, she remains a major popular culture icon, and a noted figure in ushering in the sexual revolution. (from wikipedia) Brigitte Bardot profile, black and white

Large polychrome poster for the Oskar Kokoschka exhibition at the Kunsthaus Zürich from 5 September to 9 November 1986.
Very fine colour print pasted on panel.  

Period : XXth century
Circa : 1986
Dimensions : Height : 128cm x Width : 90cm x Depth : 2,5cm

Oskar Kokoschka (1886-1980) was one of the leading Austrian painters and ambassadors of Viennese Expressionism and Modernism.
He was what we would today call a jack-of-all-trades. He wrote plays and stories, and created theatre sets and mosaics for churches. But he was above all a painter, and owes his fame to his portraits.

Kokoschka was above all interested in faces. Almost half of his works are busts. The artist’s aim was not so much to faithfully transcribe the model’s physical appearance, but the character traits hidden behind his face and personality. 
The subjects Kokoschka portrayed reveal their optimism, but also their uncertainties and inner turmoil, and sometimes also their grief and pain. 

Kokoschka’s style has often been described as painting the soul. Oskar Kokoschka’s obsession has always been to capture the whole person on canvas, not just their physical appearance. 
He painted Adolf Loos and Karl Kraus, Golda Meir, Ezra Pound, Theodor Heuss and Ludwig Ehrhardt.

In 1966, he was invited to paint the portrait of German Chancellor Konrad Adenauer. Adenauer. This painting – one of his most famous – occupied Angela Merkel’s office for 16 years, until recently. As close as possible to the current events of his time: the committed artist Oskar Kokoschka would probably have appreciated this privilege.